Han Feng 汉峰, 233.3ml, Lao Zi Ni 老紫泥, by our Craftsman Wang Jian Long 王建龙。

Dearest Friends, we present our new collaborative Craftsman, Wang Jian Long, and we asked him to do his best for you friends.

This is what we had discussed and specially arranged with him.

Wang Jian Long with his years of experience succeeded EXCELLENTLY with this Han Feng.

This Han Feng, is, amazing.
Its individual parts are all perfect.
A)  First our eyes are drawn to the top, central lid knob, and it is so amazingly formed: Wang Jian Long is able to craft in the VERY GENTLE curve AND the edged sculptured-ness of the sides.  He didn't leave the underside ignored, and his care was much appreciated, as ALL ANGLES of this lid-knob, showed the extreme craftsmanship, care and love he put in to this ZISha work.
B) The spout opening sports the edged opening that corresponds and mirrors the style and sculptured-ness of the lid knob,
C)  The handle also combines the CAREFULLY calculated and crafted convex curve, and the edged sculptured-ness of the sides as well, and amazingly joined with sharp edges into the pot's body.

This Han Feng, is stately, simply magnificent.  Zen and Confident-looking.  The proportions are perfect.  This is what we demand at RealZiSha for dearest friends in all of you.  Do appreciate and cherish this latest collaborative hard work and successful pot out from the kiln.  We welcome our new and invited collaborative Craftsman Wang Jian Long.  We thank him and he too is very glad to be with us.

~~~~~~~~~~~

This pot has the discontinuous and roughly horizontal marks in the inner walls, and these are called the: 泥凳纹 Ni Deng Wen, which are the marks left on the clay slab , complementary to the marks on the workbench of the Craftsman Wang Jian Long!!!🙇‍♂️🤗🎋  During the making of FHM ZiSha pots, the Craftsman will be using tools to cut the clay slabs, etc, and these leave marks on the studio workbench.  Especially the first major forceful cut across the table to delineate the clay she/he wants to utilize to form the main body of the body.  Thus when the craftsman subsequently pound the clay slab on a well-worn workbench which bear these cut-in marks, these marks will be etched complementarily onto the clay slab!  Thus you are "enjoying" the additional natural hallmarks of a Fully-Handmade pot.  (For example, a partially handmade pot will not show these marks).  And for those Jigger-machined pots, what they manifest are CONCENTRIC, continuous circular lines, all parallel to one another.