Fang Gu 仿古, 216.3ml, Lao Zi Ni 老紫泥, by our Collaborative Craftsman Chen Fa Chu 陈法初。
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The Must-Have ZiSha model, created by the all-important master of ZiSha in its history: Shao Da Heng. Shao Da Heng is our Grand Master Shao Shun Sheng's great-great-great-great-grandfather (6 Generations direct lineage).
We love Chen Fa Chu's Fang Gu. It is perfect! It is soooooo balanced! (We have compared many from various Crafters and Artists). Yi-Lei and my own personal daily staples.
Fang Gu is the stapl-est of the staples.
You must have one.
While at it, enjoy the best and most affordable, from Chen Fa Chu.
Lovingly made by our trusted and committed collaborative Craftsman Chen Fa Chu. He thanks you for your grandest support to the honest and dedicated Craftsladies and Craftsmen here left to fend the Fully-Handmade ZiSha Art.
The Stalwart, dedicated to the cause, Craftsman Chen Fa Chu, thanks you, for embracing his work.
Enjoy his superb, classic handwork!!!and let his work accompany you on your tea journey! Thank you Friends!
BRING ONE HOME, USE IT and you will know all about Fully-Handmade ZiSha, the feel of real and quality YiXing ZiSha, the nurturing of Patina, how the true Patina feels and looks like, the Aura exuded from a Fully-Handmade Pot which others simply can't bring forth, and, Craftsman Chen Fa Chu's skills, savour the pour. You will know everything then.
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Explained, https://www.realzisha.com/blogs/news/actual-zisha-landscape-at-yixing , the Craftsman by selling his hard-worked ZiSha craft at $190-$240, $45-$65 goes to the cost of the craft, inclusive of the fees for the firing for the kiln operator (three times per pot), the packaging boxes, and between $32 to $52 for the clay (Zi Ni Di Cao Qing, Duan Ni and upwards) used per pot. Craftsman takes 3 days (fastest 2.5days) to craft a pot. Out of 12 pots he makes a month of 30days, 9 pots will survive the kiln firing successfully. Out of 9 pots, a Craftsman on average sells 7 pots per month. For ZiSha models/designs that are very challenging and more complicated to craft, time taken will be longer, and the failure rate will be higher as well. Zhu Ni pots have higher failure rates than Zi Ni and Duan Ni pots too. Our Craftsmen are crazily committed to the cause of Fully-Handmade ZiSha Art and their strictness with their craft and dedication earn our respect. We give a big Thank You all of these Craftsmen, for they are saving what is our common precious tea culture: Tea + Fully-Handmade ZiSha Art and Craft.
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Again, another tremendous labor of love by our trusted and committed collaborative Craftsman Chen Fa Chu. It is a team effort and we thank you dearest Friends for your grandest support to the honest and the dedicated Craftsladies and Craftsmen here left to fend the Fully-Handmade ZiSha Art.
The lines and detailing speak of Craftsman Chen Fa Chu's EXTREME CARE AND TIME taken to craft each part, each pot. Hold one, hold up one, swing the work around. Carefully examine his Fully-Handmade work. Look at it from afar, from near, and it will grow on you, with fine detailing with MUCH THOUGHT on each part, with MUCH TIME spent on every part, section. Because this is what Fully-Handmade ZiSha Art should be, and HOW FULLY-HANDMADE ZISHA ART is so different from and light years ahead of the ubiquitous jigger-machined pots and half-handmade pots masquerading under the sales tagline of "fully-handmade zisha" pots. These latter JM/HHM pots are made in what we call 流水线 a.k.a. 'Factory-Line operation' whereby the main pot body after being jigger-machined or coming off from the mould, is passed to the next worker who fits on the spout, and subsequently this second worker will pass the pot on to another worker who will in turn fit on the handle. Continuing so, the pressed lid is likewise passed to another worker who fit on the lid knob. EACH WORKER has NO IDEA what the other one is doing, and they are always working on fixed time lines stated by the boss. For example, the worker being "passed the baton" a pot with the spout just fixed onto the body by his colleague, will only focus on fixing on the handle, with nil to little regard to WHETHER THE HANDLE fixed on will be cohesive with the spout. Each worker has NO idea of HOW THE FINAL POT WILL LOOK LIKE. Beyond poor craftsmanship and clay, the result of such processes are ugly pots with poor cohesiveness which experienced Artists, Craftsmen and collectors will tell from a metre away. Experienced people in us, do not need to pick up a pot to check whether it is fully-handmade or made of zisha, we can tell from a metre away just by looking at the pot.
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The keywords are: Detailing and Cohesiveness.
A GOOD Fully-Handmade ZiSha Work combines great detailing and cohesiveness.
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(Dear Friends, during the photo-taking process, five to six separate spotlights above and around, are used. Looking at the photos, the collar-rim of the lid-body interface thus shows the various spotlights' reflection. You will therefore see 2 to 3 scattered brighter spots around the collar-rim. Some friends had asked before, "is the rim-collar having any irregularity in circularity?". Thus, rest assured. Do not misconstrue the two to three brighter spots around the lid-body rim collar to mean any irregularity in circularity of the rim-collar.
Yes, the rim-collars of all these ZiSha works crafted by our Craftsmen ARE REGULAR in CIRCULARITY :-D, and you can rest assured. Thank you Friends.)
